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1 hours, 35minutes Ofra Bloch Year 2018 USA Ofra Bloch Rating 74 Votes.

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Afterward synonyms. Afterwards meaning in urdu. Afterward versus afterwards. Afterwards synonym. Afterwards in hindi. Afterwards thomas hardy. Critics Consensus No consensus yet. 83% TOMATOMETER Total Count: 6 Coming soon Release date: Jan 10, 2020 Audience Score Ratings: Not yet available Afterward Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Afterward Videos Photos Movie Info In this personal documentary, Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel, and Palestine, where she is seen as a victim in one context and a perpetrator in the next. The film points towards a future--an "afterward"--that attempts to live with the truths of history in order to make sense of the present. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 10, 2020 limited On Disc/Streaming: Jan 28, 2020 Runtime: 94 minutes Studio: 1091 Cast Critic Reviews for Afterward Audience Reviews for Afterward Afterward Quotes Movie & TV guides.

Afterwards definition. Afterward ofra bloch. Afterward full movie. Afterward clue. MOVIES 12:13 PM PST 11/27/2018 by Courtesy of DOC NYC/Afterward Productions Ofra Bloch's documentary deals with the lingering trauma suffered by Israelis, Palestinians and Germans as a result of such events as the Holocaust and the Nakba. "Is it possible to forgive? " That question, asked in Ofra Bloch's documentary, feels particularly relevant in these politically charged times seemingly marked more than ever by hatred and resentments. In this cinematic debut, the Jerusalem-born therapist, described as a "trauma expert, " delves into the feelings of Germans, Israelis and Palestinians bearing under the weight of psychic wounds both first-hand and generational. Afterward, which recently received its world premiere at DOC NYC, is very much a film of its time, but its relevance will sadly probably never lessen. The doc deals with the continuing trauma engendered by the Holocaust and the Nakba, the latter term referring to the displacement of hundred of thousands of Palestinians who became forced refugees in 1948. The Nazi legacy is still deeply felt in Germany, where Bloch interviews a former neo-Nazi who can't quite believe he's talking amiably to a Jew and the children of SS officers grappling with the horrors of their fathers' pasts. She also attends an exhibit at Berlin's Jewish Museum that lives up to its provocative title "Jew in a Box. " Bloch became introduced to memories of the Holocaust at an early age, having grown up in a Jerusalem home located directly across from the building where Adolf Eichmann was tried for war crimes. The legacy of the Holocaust is also felt by Palestinians, many of whom resent Israelis for labeling themselves victims even while oppressing them. "The more Israelis breathe, the more we choke, " says one interview subject about the occupation of their land. Another woman describes how she refuses to stand when a siren blares each year to mark Holocaust Remembrance Day. "It's just a minute, " she says of the annual ritual. "But it's a long minute. " She goes on to explain that not standing up represents "a political statement on my part. " The documentary includes harrowing footage of an Israeli soldier cold-bloodedly shooting a wounded Palestinian terrorist in the head as he lays wounded on the ground. Bloch also interviews a Palestinian professor who took his students on a field trip to Auschwitz to educate them about the horrors of the Holocaust. He was later accused of being a traitor and removed from his position. The film's wide-ranging interview subjects include historians, therapists and activists who articulately describe how past and current events shape their personal lives and careers. Bloch injects herself frequently into the proceedings, exploring her own complicated feelings of victimization and resentment. The film thus becomes a personal journey that proves as therapeutic for the filmmaker as it occasionally seems for her subjects. Not every segment in Afterward is compelling. The doc goes off on some odd tangents and feels padded at times despite its relatively brief running time. But at its most powerful, the film movingly illustrates the myriad ways in which the past haunts the present and the healing power of communication. Production companies: All Rites Reserved, Afterward Productions Director-screenwriter: Ofra Bloch Producers: Jack Riccobono Executive producers: Abigail E. Disney, Adam Schlesinger Director of photography: Alex Stikich Editor: Michael J. Palmer Composer: Lucas Lechowski Venue: DOC NYC 94 minutes.

 

Afterwards movie 2020. Afterward dito montiel. “A brilliant personal exploration of the psychological obstacles to peace in the Middle East, and the tectonic plates of history that have brought two peoples to this tragic impasse. ” —Lawrence Wright, Pulitzer prize-winning author 1091 and ABRAMORAMA present Synopsis Jerusalem-born trauma expert Ofra Bloch forces herself to confront her personal demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, AFTERWARD delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. Seen as a victim in Germany and a perpetrator in Palestine, Bloch faces those she was raised to hate as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of reconciliation. The film points towards a future – an “afterward” – that attempts to live with the truths of history in order to make sense of the present. Past Screenings February 11, 2020 Utah Film Center Tuesday, February 11th, 2020 Special Skype Q&A with Director Ofra Bloch January 25, 2020 Upstate Films Saturday, January 25 Q&A with co-writer/producer Jack Riccobono January 20, 2020 - January 21, 2020 Laemmle Royal Monday, January 20th at 7:30pm Special Q&A with director Ofra Bloch and moderated by Julia Turner, Deputy Editor of Art & Entertainment at the Los Angeles Times. Tuesday, January 21st at 1:00pm January 20, 2020 - January 21, 2020 January 20, 2020 - January 21, 2020 January 20, 2020 - January 21, 2020 January 17, 2020 - January 23, 2020 January 17, 2020 - January 23, 2020 January 10, 2020 - January 16, 2020 Village East Cinema January 10th to January 16th Friday 1/10 Q&A with director Ofra Bloch and producer Jack Riccobono, moderated by New York Times deputy politics editor Rachel Dry Saturday 1/11 & Sunday 1/12 Q&A with director Ofra Bloch and film subject Basel Alyazouri Wednesday 1/15 Q&A with director Ofra Bloch and producer Jack Riccobono October 22, 2019 - October 22, 2019 July 31, 2019 - July 31, 2019 July 26, 2019 - July 27, 2019 June 1, 2019 - June 2, 2019 April 14, 2019 - April 15, 2019 April 11, 2019 - April 13, 2019 April 5, 2019 - April 14, 2019 March 30, 2019 - March 31, 2019 February 1, 2019 - February 3, 2019 November 7, 2018 - November 14, 2018 New York, NY, United States Press Now This Israeli-Born Filmmaker Ofra Bloch Puts Holocaust Alongside Palestinian Conflict in 'Afterward NPR NPR's Leila Fadel speaks with Ofra Bloch about her documentary Afterward. Having grown up surrounded by Holocaust survivors, Bloch decided to examine her long-held belief that Germans were bad. Leila Fadel Room I wanted to stop the cycle of hate and othering before I passed it on to my own sons, to the next generation. Ofra Bloch The New York Times A documentary seeks to find out what people think of Jews, the Holocaust and history. Ken Jaworowski Los Angeles Times Review: ‘Afterward’ analyzes the legacy of trauma, fascism and anti-Semitism Gary Goldstein Filmmaker Magazine “The Act of Listening Requires a Sort Of Surrender to the Narrative of the Other”: Ofra Bloch on Afterward Lauren Wissot Palestine-Israel Journal The growth of political polarization and tribalism worldwide, and what I was learning in my psychoanalytic practice, led me to question my own demonization of Germans. Ofra Bloch International Documentary Association In this edition of "The Feedback, " we spotlight Ofra Bloch’s Afterward. Bloch is a filmmaker and psychoanalyst based in New York City. Lauren Giella The Hollywood Reporter Abramorama has nabbed the North American rights to Afterward, director Ofra Bloch's documentary that is executive produced by filmmaker and activist Abigail Disney, whose great-uncle was Walt Disney. Etan Vlessing Huffington Post An exclusive clip from the new documentary Afterward. HuffPost Entertainment FF2 Media Anyone who has ever looked at the world (both past and present) and asked why and how people are capable of such acts of horror will be entranced by this psychodynamic documentary. Giorgi Plys-Garzotto American Jewish World There is increasing recognition that this psychological disruption reverberates through generations. Mordecai Speckor Lilith Magazine A Filmmaker Listens to Germans, Jews and Palestinians Noa Kattler Kupetz The Hollywood Reporter Ofra Bloch's documentary deals with the lingering trauma suffered by Israelis, Palestinians and Germans as a result of such events as the Holocaust and the Nakba. Frank Scheck Unseen Films Looking to end the hate at DOC NYC 2018 Steve Kopian Women & Hollywood DOC NYC 2018 Women Directors: Meet Ofra Bloch – “Afterward” Rachel Montpelier YNET In a special interview, she talks about the creepy journey documented in the film, and the encounter between second generation Holocaust survivors and second generation Nazi soldiers. Adi Greenberger Moment Magazine Israeli Documentary ‘Afterward’ Is a Guiding Light in a World of Trauma Andrew Lapin Team Bios Ofra Bloch Director, Writer is a filmmaker and psychoanalyst in private practice in New York City. She grew up in Israel, where her deep interest in the short and long-term effects of trauma originated. She has volunteered with Doctors of the World, where she interviewed victims of torture, and wrote their affidavits. She began making short documentaries 10 years ago. AFTERWARD is her first feature documentary. Jack Riccobono Producer, Co-Writer has written, directed and produced a wide range of work across the five boroughs of his native New York City and around the world. His critically acclaimed documentary feature THE SEVENTH FIRE premiered at the Berlin Film Festival and received a NYTimes Critics’ Pick during its theatrical release in North America and the UK. A graduate of Harvard’s VES Film Production Program and Werner Herzog’s Rogue Film School, Jack’s films have screened at festivals and venues including New Directors/New Films, the Institute of Contemporary Arts, the New Museum, and the Museum of Modern Art. In 2008, Jack launched the production company All Rites Reserved, dedicated to producing films with global reach that push visual and conceptual boundaries. Abigail E. Disney Executive Producer is a filmmaker, philanthropist, activist, and the Emmy-winning director of THE ARMOR OF LIGHT. As president and CEO of the documentary production company Fork Films, she produced the groundbreaking PRAY THE DEVIL BACK TO HELL and co-created the subsequent PBS series WOMEN, WAR & PEACE, which looks at women in modern war as active agents for peace and positive change makers in their communities. She is also the founder of the nonprofit Peace is Loud, which uses storytelling to advance social movements, focusing on women’s rights and gender justice. Adam Schlesinger Executive Producer is an award-winning independent filmmaker. Most recently, he directed and produced RESTLESS CREATURE: WENDY WHELAN, which had its world premiere at the New York Film Festival ahead of an exclusive release on NETFLIX. Schlesinger has also produced many critically acclaimed documentaries, including AI WEIWEI: NEVER SORRY (IFC/Sundance Selects), the Emmy-nominated SMASH HIS CAMERA (HBO, Magnolia Pictures), and the Emmy-nominated PAGE ONE: INSIDE THE NEW YORK TIMES (Magnolia Pictures, Participant Media). Michael J. Palmer Editor, Co-Writer has collaborated with accomplished directors on complex, far-reaching documentary films since 2007. After a stint as a professional musician, he was assistant editor on Martin Scorsese’s two-part George Harrison documentary, LIVING IN THE MATERIAL WORLD. He joined teams of editors on Alison Ellwood’s epic rock-doc, HISTORY OF THE EAGLES, THE 50 YEAR ARGUMENT, co-directed by Martin Scorsese and David Tedeschi, and THE SEVENTH FIRE, a raw, vérité look at Native American gangs directed by Jack Pettibone Riccobono. Michael has cut several films for Alex Gibney’s Jigsaw Productions, including the Emmy-nominated ELIÁN, and STEVE JOBS: THE MAN IN THE MACHINE, on which he also served as co-producer. Alex Stikich Cinematographer is an award-winning freelance cinematographer based in New York. He works professionally on a wide range of documentary, narrative, commercial and corporate projects around the world, ranging from issues like economic development in Africa/Europe, to life aboard US NAVY aircraft carriers, to a science series about infrastructure networks (food / transportation / manufacturing / energy). Recently, he has done work for BOMBSHELL a documentary about the lesser known inventions of Hedy Lamarr and LINCOLN, a project exploring the legacy of Lincoln as it pertains to the current state of the GOP. Lucas Lechowski Composer started his musical journey as a classical violinist at the age of four, eventually graduating from the Conservatory of Music in Katowice, Poland. In the field of composition Lechowski has scored over 50 projects, including feature films, documentaries and theatre plays. Lechowski is a Fellow of the Sundance Institute Composers Lab and the Berlinale Talents alumnus. He was selected for the leading film scoring workshops including ASCAP/Columbia University Film Scoring Workshop, the NYU/ASCAP Television & Film Scoring Workshop and the Society of Composers and Lyricists Mentorship Program. Outreach To support our outreach efforts with a tax deductible contribution please remit your check to: Utah Film Center c/o Sarah Mohr 50 W Broadway, Suite 1125 Salt Lake City UT, 84101 Be sure to list the film’s title in the memo line!

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